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Have you ever wanted to learn or improve your ability to represent the humanoid face and figure in digital painting programs? Have you wanted to work on taking a human figure and creating a character from the reference? Have you wanted to learn a bit more about how to paint costumes and fabric in your images? If any or all of the above have crossed your mind then Don Seegmiller’s Face and Figure Painting workshop is for you.

In this workshop, Don will explore traditional painting techniques and translate them seamlessly into the digital realm. Students will learn several different ways of approaching the human figure and head while executing a digital painting, as well as exploring color and how it relates to the human figure.

Working with photographic or rendered references Don will have his students first draw the figure or face. You will learn how to block in the face or figure with correct values, choose correct colors, and paint a head or figure from start to finish. Lighting, value, and color will be discussed constantly throughout the class. Technical issues such as blending will also be discussed. Towards the end of the workshop, students will then paint a complete character in costume from start to finish.

While all skill levels are welcome this, workshop is geared more toward the intermediate and above skill levels. Beginners may experience some difficulties.

” This was the best art course I have ever taken either in class or online.”
Brian Frank, Student, Figure and Face Painting, July 07


About Don Seegmiller >>
 

This workshop is divided into three general areas.
* Three weeks will be devoted to painting the human head and features.
* Three weeks will be devoted to painting the entire figure.
* Two weeks for the final masterpiece.

Week One
Introduction of material and students showing individual samples of their work. Sketching and drawing a male and female face from photographic reference will be the focus of this week. Two main techniques will be explored. Digital direct painting and digital glazing will each be used for one of the faces. The advantages and disadvantages will be discussed.

Week Two
Painting the male and female face with value. During this week we will paint one of the faces using only value. No color will be used. This face will be taken to 90% finish during the week. The second face will be painted to 50% finish using a limited palette of color in a more direct manner with attention to both detail and value. The differences between painting a male face and female face will be discussed.

Week Three
The first face will be finished using a digital glazing technique. The second face will be finished using a continuation of the starting, direct painting method.

Week Four
Sketching and drawing a male and female figure from photographic reference will be the focus of this week. The two main techniques used in the head paintings will be used again. Skin color, complexion, racial, and gender differences will be discussed. Drawing the figures will be the focus of this week.

Week Five
Painting the male and female figure with value. During this week we will paint one of the figures using only value. No color will be used. This figure will be taken to 90% finish during the week. The second figure will be painted to 50% finish using a limited palette of color in a more direct manner with attention to both detail and value. The differences between painting a male figure and female figure will be discussed. The influence of background color will be discussed.

Week Six
The first figure will be finished using a digital glazing technique. The second figure will be finished using a continuation of the direct painting method.

Week Seven and Eight
Painting a figure masterpiece. Workshop participants will either provide their own reference or reference will be provided. Students will paint a large resolution figure painting using the technique of their choice.

 

Level of Ability
It is recommended that students have more than a passing familiarity with both Photoshop and Painter as this will not be a workshop about how to do the basics in each application. This class is for the intermediate to advanced artist that wants to improve their painting skills, improve their creativity, and just have a blast working with like-minded artists.

Other Requirements
Students need to be familiar with web navigation and browsing, as well as email.

Students need to be familiar with using a bulletin board system (such as CGTalk.com).

Software and Hardware Requirements
Students must have access to a machine (PC or Mac) with the necessary hardware to run Corel Painter and Adobe Photoshop.

A Wacom Tablet and scanner are required.

A web browser and internet connection is required. A broadband connection is mandatory as some of the lessons will be in the form of videos for students to download.

This course is no longer available for registration

Begins: 10 March 2008
Ends:
04 May 2008
Sessions: 8
Active weeks: 8
Fees: USD $499.00

Maximum Students:
35
Instructor Location and time zone: United States, Utah GMT -7

Registration:
Closed

Workload:
Reading & Research: 3-5 hours per week. Assignments: Students will be expected to complete assignments on a weekly basis taking between 6-12 hours depending on individual proficiency and speed.

 

IMPORTANT: Online courses require a considerable amount of dedication and enthusiasm to learn. Students must be self-driven and disciplined enough to learn and do the assignments. Success depends on the student's commitment and effort.

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